Outkast stankonia intro lyrics
Your cape-and-cane Aquemini aficionado might want to slow down the frenetic gun battle that is Stankonia.
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They stand always in direct opposition to the cooler, jazzier achievements of their peers on the East Coast, who rarely themselves sang, played an instrument, or spoke of emotional attachment in a deep, intelligent way.Īnd so they have come very far with a wild, unpopular model of producing music, so much so that certain OutKast fans only know an album or two well. OutKast have never culled “a little bit of this, a little bit of that.” From the lush studio instrumentation (first pioneered in Southern rap by their producers, Organized Noize) to the committed, heretical shamelessness of their beats, Andre 3000 and Big Boi have always explored music-making unapologetically, at the risk of radically revising their sound despite its positive reception. While a stickler might argue that sampling, improvising, and making mixtapes (as opposed to more formal LPs) is more in the rhythm of modern life, OutKast doesn’t buy that. As modern life splintered and proliferated, popular music rushed to catch up to the visual arts, first with the advances of jazz and then with those of its contemporary offspring, hip hop.
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In roughly the early 1900s, painting dissolved into abstraction and appropriation, and artists working since then have veered away from realism.